11 Best Influencer Marketing Agencies in Dubai

House of Marketers is the featured international campaign option in this comparison. The London agency’s Azha Perfumes work was global and US-focused, connecting fragrance with personal experience through creators on TikTok, Instagram and YouTube. The campaign generated 3.3M+ video views. Its published results include 90 creator-led assets across a 10-month campaign and engagement of up to 6.1%.

The work paired fragrance and lifestyle creators with a brief built around reactions, reviews and everyday settings. Paid amplification supported selected creator content. That combination gives a brand planning campaigns abroad a relevant example of content production alongside distribution. The published output count also gives your team something concrete to discuss when setting delivery expectations. For a fragrance launch, review the creative treatment as well as the audience response. House of Marketers’ Azha case shows how the team presented a product whose scent couldn’t be experienced through the screen.

NEXA is a Dubai agency whose Arabian Radio Network campaign combined influencer-led content with Meta, Google and LinkedIn advertising. The programme reported 739 registrations, 11.8M impressions and 85700 website visits. Its cost per registration was AED 201. Those results belong to the integrated campaign, with creators working alongside paid distribution.

Its Ras Al Khaimah Tourism Development Authority work offers a different brief. The retained social programme reported 100K+ added followers across accounts and 112M+ social impressions, plus 4.9M+ current organic social impressions. Ras Al Khaimah is another emirate. These are programme figures, covering the wider social work alongside a visiting creator itinerary. For your shortlist, NEXA is relevant when creator content needs to connect with social management, advertising and a measurable registration action. Discuss how those workstreams will share reporting before agreeing which result the campaign should deliver. Its portfolio gives you examples of both business audience acquisition and destination content.

Socially Powerful has a Dubai MENA team and publishes UAE work for Uber Eats. That Instagram campaign reported 400K+ impressions, 175K+ reach and 19K+ engagements. The measures describe different parts of the audience response, giving you a useful starting point for discussing exposure alongside participation.

The Body Shop programme extends the comparison into regional beauty marketing. Across the Middle East, the agency reported 30M impressions, 17M reach and 15% sales uplift over an 18-month campaign. The work included Instagram, Pinterest, Snapchat, TikTok and YouTube, supported by community management and paid media. Keep that regional geography attached to the results when comparing it with a city campaign. The combination is relevant if your Dubai brief also needs delivery across nearby markets. You can use the named cases to discuss channel selection, the role of paid support and the sales measure your own team would use to evaluate a programme.

House of Comms is a Dubai communications agency with creator partnerships inside integrated launch campaigns. Its NEOSTRATA work covered the UAE and KSA. The programme included paid influencers and dermatologists, reporting over 200 Instagram and Snapchat stories and 288 added Instagram followers.

Jellycat’s UAE launch used paid Arab creators and gifting. It reported 22+ media and influencer attendees, 110+ coverage pieces and 5M+ campaign reach. Victoria’s Secret’s Bombshell Oud launch at Dubai Mall reported 29+ media and influencer attendees and 200+ coverage pieces. Those coverage and reach totals describe the integrated PR campaigns. For a product launch, this portfolio lets you compare creator participation with event attendance and media output. House of Comms is relevant when your brief needs the launch event, press activity and creator content planned together. Keep those reporting lines separate in the proposal so your team can assess each part.

YKONE has a Dubai office and publishes creator campaigns for Visit Dubai and d’Alba. The d’Alba launch covered the UAE and Saudi Arabia, involving 107 social icons and producing 166 posts. It reported 19.7M impressions, 11.6M reach and 29K interactions. Keep that regional campaign scope attached to the audience figures.

The Visit Dubai always-on programme describes historical work from 2018. It involved 72 influencers across 7 international markets, with nearly 6K publications and 94% over-delivery on campaign publications. The work included custom itineraries, travel management and on-ground support alongside creator management. That service detail is useful for a destination brief because the trip itself has to support the content plan. YKONE gives your shortlist examples of both a beauty launch and an international visitor programme. Review the published content with the itinerary and casting plan when discussing a similar campaign, so the proposal explains how the experience will translate into posts.

Following is a Dubai creator campaign business with cases covering a mocktail launch and hosted hotel stays. Barakat’s campaign at Kite Beach reported 859.4K reach and 954.9K views, with 15 creators enrolled. The engagement rate was 4.1% against followers and 2.7% against views. Those denominators matter when you compare the campaign with another proposal.

The Palazzo Versace hosted-creator campaign reported 1.2M reach and 1.3M views. It also recorded 30.3K likes, 5.3K shares and a 2.9% engagement rate against views. These figures belong to the named property campaign. Its delivery model was hosted stays. Following lists barter and paid creator campaigns alongside cashback campaigns and UGC production, so your team can discuss the form of the creator relationship as well as the content. For a venue or experience brief, use these cases to set expectations for creator selection, the visit itself and the audience measures in the final report.

Mumkin is a Dubai agency whose Sephora Ramadan truck campaign connected a physical activation with creator content. The published case records 64 influencer home visits and 110 influencer appearances at public locations. The route included Dubai and Sharjah. Mariia Vehera’s content generated 1M+ views on Instagram and TikTok, a result attributed to that creator’s content within the activation.

The Dove Bond Repair launch covered UAE and KSA creators and delivered 123 posts. Its participation included 6 squad members, 5 paid influencers and 20 organic invitees. These counts give a beauty team concrete delivery details to discuss before an event brief is signed. Mumkin’s services include events and experiences alongside talent representation and brand seeding. The portfolio is relevant when product education happens through a physical experience that creators then share. Compare the event plan with the proposed content output, and make sure your reporting identifies which content generated each audience result.

Alined Creative is a Dubai agency with published restaurant campaigns for Somewhere and Of The Earth. Somewhere’s Good Taste Travels campaign reported 38 posts from 24 creators, generating 337K views and 552 hours of watch time. The reported average engagement rate was 5.9%. The campaign sought audiences beyond the restaurant’s existing Emirati diners.

Of The Earth’s After Dark campaign produced 27 posts with 17 creators. It reported 138K views, 460 hours of watch time and a 7% average engagement rate calculated against views. The cases give your restaurant team practical measures for reviewing a dining-content brief. You can compare how many pieces were delivered with how people watched and engaged. The agency also lists creative direction, content production and event production among its services. That makes it relevant if the creator visit needs a clear visual treatment and a dining experience planned around the content. Review the actual posts alongside the campaign totals before choosing the creative direction.

TishTash is a Dubai communications agency whose specialist division TishTash Tots publishes UAE launches for parenting brands. Kit & Kin’s market launch involved 95 influencers and generated 220 coverage pieces. The reported audience reach was 94.9M across the integrated communications launch. That total belongs to the combined communications activity.

My Little Coco’s UAE launch involved 71 influencers, with 243 coverage pieces and 1.3M reported audience reach across the launch. The division’s work joins creator launch events with media interviews and consumer events. For your parenting brand, the cases offer a way to discuss how product introduction, creator participation and press activity fit together. TishTash also lists storytelling, social management and graphic design among its services. Its portfolio is relevant when your team wants a specialist communications partner to support a market entry. Use the proposal to agree distinct measures for creator content, event participation and press coverage before comparing the predicted audience totals.

Imfluence has a Dubai team and publishes local Reels campaigns for Chocomelt and Dubai TV. The Chocomelt online-ordering campaign reported 7.8M views, 502K engagements and 8.4M reach, with a 6.12% engagement rate. These are the creator campaign’s published audience measures for the named Dubai case.

The Shark Tank UAE launch for Dubai TV reported 90K views, 1.5K engagements and 96K reach, with a 2.15% engagement rate. It gives an entertainment team a related example of creator-led launch awareness. Imfluence’s services include content production and content strategy alongside influencer campaigns and brand partnerships. The cases make it relevant when your brief centres on Reels and you want to assess the audience response across food or entertainment content. Review the creator choices and the actual posts alongside the reach figures. For a similar launch, agree the content approval process and reporting definitions before deciding which campaign result should guide your shortlist.

Sociata is based in Dubai and publishes work for Dubai Future Foundation and MAC Cosmetics. The Foundation’s Arab Coders programme set out to reach audiences across the Arab world. It reported 1M enrollments, with 65% attributed to creators. The geography and attribution share belong together when you assess this education campaign.

MAC’s organic TikTok programme covered the UAE and Saudi Arabia. It generated 500+ creator content pieces, including 150 in the opening month. The published case reports 100% creator participation in seeding and says 30% of content performed above the creators’ personal averages. The portfolio joins product seeding with creator development, content production and campaign analytics. For your shortlist, these cases are relevant when participation or enrollment matters alongside output. Review the programme’s audience, creator role and reporting basis with your team. Then use the education and beauty examples to discuss how Sociata would structure the creator brief around the action or content response you need.