Best Influencer Marketing Agencies in Singapore

House of Marketers is a featured global option for Singapore-based brands planning creator campaigns outside Singapore. Its McAfee campaign generated 7.4M+ organic views across the UK and Germany. The agency activated 23 creators and delivered 28 videos, turning online security topics into content audiences could relate to. The work paired creator selection with local messaging across TikTok and Instagram.

The same campaign reported a £0.0075 cost per view. Brand research recorded a 53% overall increase in consideration, with a 125% consideration uplift in the UK and a 33% awareness boost in Germany. Those market labels matter when you’re choosing an international partner. The case gives a Singapore-based marketing team a concrete example of how House of Marketers planned content for overseas audiences and measured the response.

Its services cover influencer strategy, creator content and paid amplification. That makes the agency a relevant shortlist choice when your brief includes both published creator posts and content for paid social in your target market.

Income’s Singapore travel insurance campaign generated 3.4M+ organic views through 29 creators and 51 content pieces. Narrators worked with creators who shared travel experiences that included the insurer’s products. The content ran across Instagram, YouTube and TikTok, giving the brand a way to explain its offer through the situations travellers recognise.

For BlueSG, the agency organised a local activation with 12 creators and 24 content pieces. The Singapore electric car-sharing campaign reported 520K reach and 32K engagements. Participating creators received rental credit, tried the service, then produced Instagram carousels, videos and stories about the experience. That detail makes the example useful if your product needs to be tried before it can be explained.

Narrators’ services span creator outreach, contracting and content approvals through campaign reporting. You can assess it against a managed programme brief where your team needs help coordinating creators as well as developing the campaign idea. The cases show how that coordination translates into published content for service brands.

SingSaver’s Singapore campaign reported reach of 1138450 across 64 influencer postings from 14 KOLs. X10 Media selected creators who could explain financial topics to their audiences. Instagram reels and stories carried the work, with the campaign aimed at building interest and credibility for the financial comparison platform.

KDK’s Singapore ceiling fan campaign took a different creative route. It used 7 Gen Z and millennial creators to demonstrate the product’s Wi-Fi functions through TikTok videos, humour and trending audio. The case reports a 32.44% engagement/viewership rate, using that combined label, and 47341 views for the best-performing post. The post result belongs to that piece of content.

Together, the cases show how X10 Media adjusts the explanation to the product and audience. Financial education and a home appliance ask different things of a creator. Its service list includes KPI setting, audience strategy and creative direction, so a useful proposal discussion can cover who should tell the story, what they need to explain and how the campaign will be measured.

JisuLife’s Orchard Road pop-up campaign reported 400100 total views/impressions and 2500 engagements from 10 creators. FLYCO used creator reels to highlight the Global Experience Store at The Heeren. In-store offers, fan engraving and a lucky draw gave the content concrete reasons for people to consider a visit.

Its Fuze Tea work covered Singapore and Malaysia. That regional campaign reported 1268142 total views/impressions and 25956 engagements. Creators told stories about balance around the brand’s new-label message, while a spend-to-win offer connected purchases with a prize trip. The published totals cover the combined markets. FLYCO uses the combined views/impressions label for both cases.

FLYCO’s services join creator sourcing and scriptwriting with production, retail activations and paid amplification on Meta. It also offers influencer trips and ambassador programmes. For a retail marketer, the cases are useful examples of how creator content can explain an offer or campaign mechanic. Use the proposal to connect that content plan with the customer action your own campaign will measure.

Kobe’s regional Home with Philips campaign reported 160379+ saves from 69 creators and 160+ content pieces. The work included Singapore creators alongside creators in other countries. Kobe placed household products into everyday situations through Instagram posts, stories and TikTok content. The saves are a published interaction result across the regional campaign.

For CASETiFY, the agency reported 6M people reached and 10M+ views across Southeast Asia. The case names a Singapore creator alongside participants from Malaysia, Thailand, the Philippines, Vietnam and Indonesia. Content was adapted to the local market and platform. Those results cover the regional programme, including Singapore.

This makes Kobe a useful option when your Singapore brief sits inside a wider regional launch. The published work shows consumer products appearing in local creator content across markets. Its services include creative concept development, influencer matching and posting schedules, followed by weekly reporting and post-campaign analysis. You can use those stages to compare how an agency proposes to keep a regional campaign coherent while giving creators room to make relevant content.

World Christmas Market Singapore’s integrated PR and KOL campaign reported 44M+ social reach, 507 coverage pieces and 148965 event visitors over 21 days. Mad Hat Asia combined press distribution with on-ground KOL and media hosting, plus spokesperson profiling. These are results for the integrated campaign, including event attendance. The figures don’t isolate the contribution from creators.

For Singapore Food Festival, commissioned by Blake Harris Entertainment, Mad Hat combined food KOL hosting with PR and spokesperson work. The campaign reported 373 coverage pieces and 272M worldwide reach. That is an international reach total for the integrated event campaign. It should be read alongside the mix of press and creator activity that produced the coverage.

Mad Hat’s services cover influencer selection, creative concepts and creator briefing, with content monitoring and reporting. Its cases are relevant when your event needs creator participation within a wider communications plan. The proposal discussion can then focus on what KOLs will experience, what content they will make and how their contribution will be reported alongside press activity.

OCBC Cycle’s creator campaign reported 2.2M video views and 2.9M impressions. HEPMIL Creators Network brought participating creators into a campaign to raise awareness and encourage event sign-ups as the cycling event returned. The published work names the creators involved and separates the viewing result from impressions.

The National Environment Agency’s SGECOHACKS campaign used a TikTok hashtag challenge around sustainability and recycling-related actions. It reported 1.2M video views and 39 UGC submissions. Creators helped introduce the challenge and show the actions audiences could take. The submissions give the case a participation measure alongside video viewing.

HEPMIL’s services include branded creator content, hashtag challenge management and paid media boosting. Content licensing and video production are also listed. For a team planning a public participation campaign, the cases offer a clear starting point for discussing the creator’s role. You can compare how the agency proposes to introduce the idea, demonstrate it and invite an audience response within the content itself.

Mom’s Cooking’s Singapore campaign reported S$258K+ in tracked sales, 16x ROAS and 674 new customers over 8 weeks. Social Jet combined influencer storytelling with Meta direct-response advertising. The agency attributes the sales through the Meta web pixel, so the results belong to that creator-and-paid-media campaign. ROAS measures return on ad spend.

Citi Singapore’s campaign used financial education within lifestyle content. Social Jet reports a 15% increase in following over 2 weeks, alongside 200K accounts reached. The case gives financial marketers an example of using creator-style content to explain a subject in a setting audiences recognise.

Its service list covers TikTok, Instagram and Xiaohongshu marketing, with UGC content and product sampling. The Mom’s Cooking example makes Social Jet relevant when your brief joins creator content with paid advertising and sales tracking. The proposal should show how the content, media buying and measurement will work together for your product. The Citi work adds a separate example focused on audience growth and reach.

Grab’s integration with Jackson Wang’s Come Alive music video reported 14M total views. Gushcloud secured the partnership, which its case collection labels as Singapore work. The result is the music video’s viewing total, giving entertainment marketers an example of a brand appearing inside an artist’s content.

For ISNTREE, Gushcloud handled creator booking, content production and regional strategy. The campaigns reported 7.9M+ views across the United States, Philippines, Singapore, Malaysia, Indonesia, Vietnam and Thailand. That total spans the participating markets. Instagram, YouTube, TikTok and Facebook carried different content formats for different audiences.

The cases show distinct routes into creator partnerships. A music-video integration puts a brand within an entertainment release. A regional beauty programme coordinates creators and content across countries. Gushcloud’s services include creative media production and experiential activations alongside creator partnerships. That mix gives marketers a useful basis for discussing how a talent relationship could work within a broader brand campaign, with the content format and markets agreed in the brief.

Trichoderm’s Singapore launch reported 18K+ link clicks across 3 months, with 20+ influencers involved. Hashmeta selected beauty, wellness and parenting creators, then adapted their content into short clips for social ads. The clicks went to the Guardian e-commerce landing page. They reflect creator content combined with paid redistribution.

ZALORA’s Get The Look campaign covered Singapore and Malaysia. It reported 2.5M+ Instagram users reached, 287K+ interactions and an 11.7% engagement rate. Creator posts linked fashion with travel and adventure themes, using product links and promotional codes. Those results cover both markets.

Hashmeta’s services span influencer marketing, social content and social advertising. Video content adaptation is part of that offer, which makes the Trichoderm example useful if your launch needs creator assets for paid distribution as well as published posts. The ZALORA work adds a regional retail example. You can use the cases to discuss the path from creator concept to product link, then agree how clicks and engagement will be reported for your own campaign.

Charles & Keith’s Singapore campaign activated 122 creators and reported a 31.13% average engagement rate over 4 weeks. Partipost used TikTok content in which creators shared sponsored products with their followers. The case gives fashion marketers a concrete example of coordinating product content across a group of participating creators.

MoneyOwl’s Singapore campaign activated 81 creators and reported a 6.12% average engagement rate during the programme. Creators opened an account, built a portfolio and shared their experiences through Instagram carousel posts and stories. The reported percentage is an engagement rate for the campaign content.

Partipost offers campaign planning, creator matching and content approvals, with communications and payment management in its service list. It also provides a platform workflow for managing activity. That makes the delivery scope worth discussing when you request a proposal. Agree which tasks the team will run and which your own team will handle. The published campaigns give you relevant examples for product trials and coordinated creator participation.